Marcus Miller – Marcus (Concord Jazz)

Photobucket

Once upon a time, good years ago, I was in a meeting with some audio friends. I was talking to my friend David (a great audio designer) about low frequency speakers (also known as sub-woofers). In that occasion, I told him that I wish I had an amp-speaker combination which would result in deep and precise bass. David looked at me a said: Everyone wants to have that.

In fact, what I wanted was simple: Frequency response with low reverb time for low frequencies. I was only able to know what I really wanted some time later.
At the time, I was a certain that the secret lied on amplifiers and speakers but, in fact, they are a percentage of that (probably a small percentage for those who always use good electronics and speakers).
Every ordinary room has a reverberation time much higher than mids and highs. Bass instruments (like acoustic bass) has a heavy load of higher harmonics in medium and high frequency range and they are the elements that define the instrument position on the stereo image. We usually end up taking the low response of our systems as good, not because they are really good, but because the instrument higher harmonics cause a fake low reverb time for bass. In this case, we have an undefined bass masked as defined.

There is no point having the best amplifier and the best speaker if the reverb time of B tone (around 60Hz) is 0.5 seconds. Any semi-quaver bass phrase will sound mediocre. Besides that, the upper harmonics will mislead you to think that you have indeed a good bass. After all, you spent a lot of money in your system.

Photobucket

This Marcus Miller’s work reflects what I explained above quite well. He is a very required musician. Wanted by many other artists for recording sessions and still has few solo albums.
He mixes several styles like jazz, pop, hip hop, vocal, instrumental, etc. Plays with energy using slap almost all the time, resulting a deep bass loaded with upper harmonics.
The result of listening in regular rooms is satisfactory, but enjoying it in acoustically treated rooms is much more comfortable because we are clearly able to perceive each tone chaining played by him.

Thank you
Leonardo

Advertisements

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s


%d bloggers like this: